Red Arrow Industries | Thoughts and Musings on the Video World

CAT | Avid

Mar/11

14

AJA Io Express with Avid Media Composer 5.5

At Red Arrow we have two Nitris DX machines that are dedicated to capturing footage and onlining shows. Ever so often something will come up and we will need the use of a third machine for capturing. It doesn’t happen so frequently that buying another Nitris is worth the cost, however. So, when Avid announced support in Media Composer 5.5 for the IO Express by AJA, we decided to give it a whirl.

The installation and setup of the device was no big deal, but we had issues when trying capture from it. We had major video tearing and loss of signal, so much so that the Media Composer software could not capture anything.

This error message was displayed (click to enlarge):

Exception: HWSDK error: A frame-rate problem has been detected with your attached hardware. Please save your work and reboot your system to restore performance.

Our configuration was this: SDI out of deck into the IO Express, IO Express SDI out back to deck, and the component out of the AJA device going to an external monitor. Pretty simple, right?

So, what the heck could the problem be? Here is a clue: when we would disconnect either the SDI input or output from the deck, the problem cleared up. It was only there when the deck was both accepting signal from the IO Express and sending signal to it.

I spent a couple of hours on the phone with Avid who then conferenced in someone from AJA. They were pretty bamboozled, too. After all, this was only Day 4 of MC 5.5’s release. The Avid support guy said I was his first call about the IO Express configuration. (It’s equal parts fun and stressful to be early adopters!)

Finally, the guy from AJA realized the answer to the problem. The issue was not in the hardware or software configuration. The issue was in the IO Express communicating with our deck, a Sony HDCAM HDW-1800. This deck has two options in how it handles servo/av reference. It can be set on automatic or manually set to “external.” Left on auto, this deck gets along perfectly well with a Nitris. However, when connected to the IO Express, the deck needs a little more explicit directions. Switching this deck setting to “external” has solved this issue.

Thanks to the tech support folks at Avid and AJA, our IO Express is up and running with Media Composer 5.5. It won’t get the level of workout that our Nitris systems get, but it’s nice to know it is there and ready when the need arises.

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Apr/10

7

The DVD Problem

Okay, so my title may be a touch melodramatic.  My other blog entries have been how-tos, but this post is a call for opinions.  It is based on a conversation that Ryan and I had with a colleague.

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Mar/10

22

The Importance of Drive Letters

In my last post, I talked a bit about organizing and managing media.  For this post, I thought I would continue in that vein and talk about drive letter assignments.

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Mar/10

15

Managing Media: Keeping Things Organized

I’ve been thinking lately about organization.  Maybe that’s because spring is (mercifully) coming soon, and I’m due for a good, old-fashioned spring-cleaning.  Or maybe it’s because I’m terribly disorganized.  Either way, I thought I would talk a bit about how the Avid organizes media and how this can be used to the editors’ advantage.

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In this tutorial, I explain how to create a cool Pan and Zoom effect over Documents or Newspapers. I show how to use a blur effect to create the feeling of Depth of Field and how to use masks to give the illusion of lighting.

Document Scan Move

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In this tutorial, I explain how to create the “Kid Stays in the Picture” effect using Photoshop, Boris Red, and Avid. I also show how to accomplish it with only using Boris Red and Avid.

Be sure to follow me on twitter @redarrowryan to get all the latest updates to this blog.

Kid Stays Tut title

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For a follow up to my last tutorial, I cover using the Ease In/Out Keyframes in Boris Red to create smooth moves on hi-resolution still photos.

Ease Title

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In today’s blog, I provide a Video Tutorial with instructions on how to use Boris Red and Avid Media Composer to perform Pan and Zoom type moves on high resolution still images.

Scan Move Blog still

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Feb/10

2

RGB, CMYK…WTF?

As a video editor I often find myself using elements that begin their video-life as imported stills.  Sometimes the stills are photos in something like JPG or TIF form.  Sometimes they are vector graphics like those from Adobe Illustrator.  Sometimes they are complicated images with multiple layers such as Photoshop files.  In short, stills come in a number of file formats.

Since the file format is often right there in the name of the file (“aPicture.tif”), I am usually aware of the format being imported.  But, one detail that can slip through the cracks is the color mode.

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Dec/09

21

Custom Boris Transition- White Flash

In today’s blog, I provide a Video Tutorial with instructions on how to build a custom “Overexposed White Flash” transition using the Avid and Boris Red.

Whiteflash Thumb

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